Review of Veritas: A Harvard Professor, a Con Man and the Gospel of Jesus’s Wife, by Ariel Sabar

Physically the artefact consists of a scrap of papyrus about the size of a calling card, consisting of seven lines written in Coptic, an ancient Egyptian language. 
1 ] “not [to] me. My mother gave to me li[fe…” 
2 ] .” The disciples said to Jesus, “.
[ 3 ] deny. Mary is (not?) worthy of it 
[ 4 ]…” Jesus said to them, “My wife . .
[ 5 ]… she is able to be my disciple . . 
[ 6 ] . Let wicked people swell up … 
[ 7] . As for me, I am with her1 in order to . 
[ 8 ] . an image …
From this, Karen King, a Harvard Divinity School professor, hypothesized a “gospel” revealing that Jesus was married to Mary Magdalene. One of the great deficiencies in the study of early Christianity is the lack of sources outside of the canonical Christian scriptures. Especially amongst feminist scholars, there is a notion that other documents were destroyed by the patriarchal “orthodox” Christian authorities as heretical, and the few that survive, documents with labels like the Gospel of Mary Magdalene and the Gospel of Judas, received considerable publicity from the popular press before fading into obscurity. For those of us who believe that the New Testament is most likely the only source we have of authentic information about Jesus of Nazareth, those gnostic writings of genuine antiquity are probably late fictional theological propaganda with no first-hand connection to the historical Jesus.

A standing joke about a religious studies department in a secular university is that it is the only department where the professors are forbidden to maintain that what they teach is actually true. Ironically, in the case of Harvard Divinity School, some of the Harvard faculty, such as Steven Pinker, claim that a college training ministers has no business in a modern university, based on scientific and rational principle. (Apparently such critics have no problem with a school of government that trains politicians, a school of business that trains prospective CEOs, and a college of education for “educators”—not to mention a college of law!) Amusingly, the publicity surrounding “the gospel of Jesus wife” gave the divinity school a new lease on life. One could add that a lot more real science, including carbon 14 dating, chemical analysis of the inks, and paleographic analysis of the script, seems to have gone into the examination of that papyrus fragment than underlies the publications of Professor Pinker.

I think we scholars are fascinated by forgeries because they appeal to our delight in trying to solve mystery stories as a test of our knowledge of the past. But too often we lose sight of the maxim that if it looks too good to be true, it probably is not. Like other inventors, forgers have to know their market. In such an age of faith as the Middle Ages, when relics were thought to do miracles, artefacts like the Shroud of Turin were created. Now in our age of disbelief (at least in tradition), many religious studies professors have never seen a heresy they didn’t like. Except for Roman Catholics, with their practice of clerical celibacy, there is no reason Christians should be surprised at the notion of a married Jesus—personally I’ve long wondered if he might have been a widower. As we have references to Jesus’ mother and brothers in the Scriptures, if Jesus had a wife during the period of his ministry, we might have heard of her. 

Ariel Sabar is a journalist not a scholar, but he spins a marvellous tale, beginning with the story of Karen King’s announcement (at the Vatican, appropriately) of the document, and then following with the investigation of the genuineness of the fragment itself, and finally tracing the actual source by way to Berlin to Florida. The author’s publishers seem to have been very generous in covering travel expenses and providing translators. It’s ironic that forgeries are much more interesting to read and write about than real biblical studies, but I remained entranced till nearly the end, when the rather squalid real identity of the creator was revealed. And once we find out how it was manufactured, it seems strange that it was not immediately taken for a prima facie fake.

Review of We Are the Wildcats, by Siobhan Vivian

The first half of 2020 has been a disaster for field hockey enthusiasts, especially supporters of the USWNT. After a disappointing start with three straight losses in the FIH Pro League, the corona-19 virus forced the cancellation of the series. We do not know at present when and how school and NCAA field hockey will be played this fall. But a small mercy—thus far it has been as great year of reading about our sport. So far I’ve read Fiona Campbell’s No Number Nine, Quan Barry’s We Ride Upon Sticks, and now Siobhan Vivian’s We Are the Wildcats. Comparing these three novels brings out the splendid variousness of the sport. Campbell’s is international hockey, culminating at the Olympic Games. Both Quan and Vivian write about American high-school field hockey. Though their settings are similar, the two books belong to quite different genres. We Ride Upon Sticks is clearly intended for the audience for “literary” fiction, so while most of the characters are teenagers in the 1980s, the setting in Danvers, neighboring Salem, Massachusetts is heavily reliant on the mythology of the Salem witch trials of the 17th century. We Are the Wildcats is a YA featuring a common theme of the genre, the moral superiority of teenagers (especially girls) over corrupt and manipulative (especially male) adults.

I had hoped for another story with the intensity of Megan Abbott’s Dare Me, and to some extent Vivian delivered. Both feature a triangle of two high-school BFFs and a demanding coach who wants a state championship and drives the team to their limits to excel. Abbott’s sport was competitive stunt cheerleading, Vivian’s field hockey. Her team is the West Essex Wildcats, and as with Abbott’s Sutton Grove Eagles, we never learn their precise location. The BFFs are Melanie Gingrich and Phoebe Holt, a forward and a midfielder who make a deadly goal scoring combination. Coach is a handsome twenty-something who is supposed to have played on the US men’s national team and imagines himself too good for high-school coaching. Last season the Wildcats were runners up for state championship when Mel failed to score, Phoebe was out with a torn ACL and Kerson, seconded from the JVs to replace her, flopped. (It was a nice touch to witness the Schadenfreude of Kerson’s former JV teammates.) Then Ali the goalkeeper allowed Oak Knolls to score the winning goal. Coach is determined that not happen again.

 The girls on the team believe his connections are vital to getting scholarships. As in many contemporary novels, much of the narration is conducted by text messaging.  As the new season opens, Coach appoints Mel team captain, but she is also Coach’s favorite and throughout the book we share their secret messages. We also discover Coach is developing a new favorite, Luci, who’s just made varsity as a freshman. The Wildcats are commencing their new season with a scrimmage, a “friendly” match against their arch-rivals the Oak Knolls Bulldogs. By tradition the night before the opening game is given over to a “Psych-up” sleepover at the home of the Wildcat captain, who will give the newly chosen varsity team their uniform shirts. But this year Coach doesn’t deliver the shirts, and the girls embark on their own midnight rambling team-building effort, leading to a shocking revelation that Coach has been deceiving and betraying them.

Like West Essex, the universities to which the Wildcats aspire are imaginary. Coach is supposed to be an alumnus of Truman University. Its location is undisclosed, but apparently far enough away to require a plane flight for a campus visit (Mel has already been offered a scholarship) and almost but not quite Ivy League: I’d imagine like Duke or Northwestern. “Their field hockey team produced nationally ranked players, many of whom, like Coach, went directly into the Olympic pipeline.” That “like Coach” rang with a large clunk. Although Coach is supposed to have played Division I field hockey in college, there are no American universities with intercollegiate field hockey programs; unfortunately it is exclusively a women’s sport.

There is a poorly supported professional USMNT; if possible its players train overseas.) As there is very little actual hockey playing in We Are the Wildcats, but I couldn’t help wondering what members of Vivian’s audience would make of Mel and Phoebe’s game strategy.

Okay! So you and I are going to make a run at the Oak Knolls goal with the kind of intensity we’d have if the clock were about to run out and it was our last chance to score. Except we’re going to do it immediately after the face-off.”

            “Assuming you win the face-off,” Phoebe teases.

            Mel swats her. “I always win the face-off! Anyway. Instead of passing the ball forward, I’m going to hook the ball sideways to you. Then you and I will sprint straight up the field, full throttle, crisscrossing passes as we go. I’m imagining three total, like boom boom boom, with your last one hitting me right at the top of the key. And then I’m going to fire off a shot, as hard as I can, with everything I’ve got.”

Seeing “face-off” and “key,” a YA field hockey player might wonder if Mel and Phoebe think they’re playing ice hockey, men’s lacrosse, or basketball. Since the 1980s, face-offs, or bullies as they’re termed in field hockey, are rare, mostly replaced by a push-back for starting or restarting games. And the goal-scoring zone is a 15 yard semi-circle in front of the goal cage called the “scoring circle” or “the D” and not the “key.” One also wonders what the Oak Knolls defenders and goalkeeper would be doing while Mel and Phoebe were passing the ball back and forth, boom boom boom.

Siobhan Vivian missed an opportunity to accomplish for field hockey what Megan Abbott did for cheer. Readers could have come away aware of the beauty and intricacies of the game. If Coach had been a woman, like Coach French in Dare Me, her backstory as a Truman University alumna who went on the play for the USWNT would have been entirely plausible. She could actually have played division I field hockey at an elite university like Truman is supposed to be. Surely, a woman coach could be equally prone to favouritism, self-centeredness, and manipulative behavior as any male. And from an artistic POV would be more plausible, realistic, and accurate with respect to American school sport.

The ignorance of the game We Are the Wildcats betrays is especially unhappy because Vivian wastes an opportunity to display for YA readers who do not have the good fortune to play field hockey—either because they live in the wrong states or are wrong sex—what an exciting international sport it is, very demanding physically, fast and constantly moving, and requiring the most selfless teamwork from the whole squad (quite unlike Mel and Phoebe’s game plan in this book). Some games really are morally and spiritually better than others, and I believe field hockey, whether played on the school, university, club or international level, is amongst the very best.

Review of The Islanders, by F. J. Campbell

With The Islanders Fiona Campbell had the clever idea of borrowing her setting from Thomas Hardy. All the place names are from Hardy’s fictional Wessex, which of course have counterparts in real English geography well-catalogued for over a century. The school is called Weatherbury Hall after a village with strong associations with Hardy – the real name is the unprepossessing Puddletown. Our principal characters are four sixth-form students preparing for A-level exams for university entrance. There’s no exact American equivalent, but something like AP courses. The time is autumn 1989 to summer 1990, when Mrs. Thatcher was prime minister and when mobile phones were uncommon. Our central character is a new sixth-form girl, Beth Atkinson, who finds herself the centre of attention amongst the senior boys. The main rivals for Beth’s affections are Edward Markham the son of a cabinet minister who lives on a country estate, and Zack Smythe, a sophisticated Londoner who has already run up an impressive number of conquests, including Edward’s sister Bonnie. But Beth’s most faithful follower is Milo West, the son of the school groundskeeper. Milo’s mother died of cancer and his father has just killed himself, providing Milo with a very modest inheritance, a cottage next to the school bounds. Thanks to Beth, who has the means to decline a scholarship, Milo also enjoys a sixth-form year.

The idea of the son of a groundskeeper at an expensive school brought to mind Joanne Harris’s Gentlemen and Players but fortunately the flavour of The Islanders differs toto caelo. Far from being devoured alive with class envy – like too many characters in school stories – Milo is a model of caring and good sense. There are lots of allusions to ’80s culture: one that amused me as a hockey follower was discussion of pop music. Milo enquires about the song Come On Eileen and is informed‘in the sticks, it’s brand new … but in London it’s an oldie.’ It’s still played at every University of Iowa field hockey match three decades later. Unfortunately, Weatherbury’s hockey teams get little attention, but in addition to being captain of the rugby team, Milo also plays goalkeeper for the hockey team. The position is appropriate given Milo’s character and background: not glamorous but the last line of defence against a stronger attacking side.  His first ‘save’ is the discovery of Beth’s backstory, involving the identity of her parents, which she is eager to keep from everyone at school

The minor characters, including Tom the headmaster and Beth’s roommate Livvy, are well-drawn in detail. There are villains in the novel, but no monsters, unlike the bullies that populate too many bad school stories (bad doing duty for both school and story). The title seems a trifle misleading though. The students refer to their school as the “Island” because they feel remote from the rest of the world. (In fact till I checked my Hardy geography, I thought they might be on the IOW or Portland bill.)  Actually, Beth regularly travels by cab or bus to Melchester (i.e. Salisbury), which is her usual home. There are also parties in London and on the beach in Cornwall. But Campbell did well to catch the insular life of a boarding school, and the feeling of inhabiting a private world where close personal relationships, school sports, theatricals, and exams, are the main events in the entire universe. I think that is one of the reasons that for some of us our school days remain so deeply in our memories, however many years have passed since we left. I can imagine a sequel for The Islanders, but it would be a different book. (I greeted Beth’s choice of university with both shock and applause.) The Islanders is not quite in the class with Patrick Gale’s Friendly Fire – my choice for the best of contemporary school stories – but it is very moving and engaging.

Review of Old Lovegood Girls, by Gail Godwin

Books by Gail Godwin are special for me because one of the peak experiences in my career as a university teacher was a semester course with a lively and enthusiastic class, focused on four of her novels, as well as four by Susan Howatch. (One of the assignments was to write a letter from one of her characters to one in the other’s or vice versa.) I thought Father Melancholy’s Daughter and Evensong were two of the best treatments of Anglican spirituality I had ever read. Not all of Godwin’s books worked for me: Unfinished Desires was a disappointment, Fleur enjoyable but not quite great, and Grief Cottage a DNF. Fortunately, I found Old Lovegood Girls stunning, a superb celebration of one of my favorite themes, a school friendship that turns out indeed to be Forever. The title is a wordplay. “Old girls” in the British sense of alumnae, but also chronologically. We follow Feron Hood and Merry Jellicoe from their first semester at Lovegood, a women’s junior college in eastern North Carolina, in 1958, till the end of the century. Both are talented writers but only Feron fully develops her gift, and even she supported herself mostly in a day job for a management consultant firm in New York. Merry remains in Carolina running a tobacco farm. But though sometimes nearly a decade passes without their being in touch, they remain close. If you have had the honor to enjoy such a friendship you know what it’s like: a reunion after twenty years feels like picking up a conversation interrupted five minutes ago.

Because Gail Godwin and I are near contemporaries, la longue durée brought back to me the experience of starting an undergraduate English major at the end of the fifties. Then the reigning deities for aspiring creative writers were Chekhov and Joyce (particularly Dubliners). Taking a creative writing course from a professor who expounded the same doctrines as Miss Petrie in this novel left me persuaded that I had no gift as a creative writer and I ended up with a career devoted to scholarship instead. (Finally after retirement I rediscovered my gift, but with different models like Donna Tartt’s Secret History.) But Chekhov certainly worked as a model for Godwin in this book. The teenaged Feron, escaping a sexually abusing stepfather, encountered a stranger on a bus trip, which led her to Lovegood College and a new life.

As in Godwin’s previous novels, we find rackety families and unreliable parent figures and eccentrics, as well as an attraction to relationships with older men. Feron marries her professor of medieval studies at UNC, an expert of Aelred’s Spiritual Friendship. Godwin’s minor characters are terribly accident-prone—Feron is a widow at twenty-three. But then Merry inherited the tobacco plantation her freshman year.

Over a lifetime it was enjoyable to chart the changes that I recall from my own experience. In 1969 Merry travels from Carolina to New York by train; in 1979 she flies. Feron types her novels on a Remington portable typewriter and does not get round to using a laptop till the later ‘90s. Occasionally there’s an allusion to a current event, like the school headmistress Jean Peters who blew away her lover the Scarsdale diet doctor. Apparently, the dean at Longwood had been tempted to something similar. And I have to admit thoroughly disliking Feron’s creative writing teacher at Columbia who is called Alexy Cuervo (I kept wanting to call him José), who is supposed to be a one-trick pony famous for one novel, whose literary pronouncements seemed pretentious and boring.

But the pleasure of Old Lovegood Girls lay not in following Feron’s literary career, but in the beautiful course of watching a friendship grow and change and yet endure and remain. Neither Merry nor Feron has a life that many people would choose, although they are successful and accomplished by most standards. But their relationship is one to model and if you ever have one like theirs, hold onto it tight. 

Review of Sea Wife, by Amity Gaige

CSY 44 Walkover


This kind of book is a rarity for me: a book I didn’t like till I found nearing the end that I did – very much. Reading a newspaper review persuaded me that the author probably didn’t know enough about sailing or sailors, especially offshore sailing, to write a believable sea story, and my suspicious were aggravated by the husband’s being a Trumpian. (Michael’s inchoate – so seldom get a chance to use that word – political opinions seem a mixture of libertarianism and Nietzscheism.} Wife Juliet is that very familiar figure, the doctoral student who can’t finish her dissertation (on Anne Sexton) turned stay-at-home mom. They have two young children, seven year-old Sibyl and Georgie “Doodle,” three. Most annoyingly, Michael gives them all pseudo-nautical designations of rank. Juliet is “First Mate,” Sibyl in “Bosun” (it’s actually spelled “boatswain”), and “Doodle” is “Deckhand” – of course real ocean sailors don’t indulge in such silliness – only dentists “driving” power cruisers on Long Island Sound. Michael’s mid-life crisis takes of the form of imagining the family going round the world at sea, though fortunately since Juliet has never been on a boat and Michael’s previous experience was day sailing on Lake Eire, they begin with coastal passages in the Caribbean. The tale is narrated to two voices, Juliet speaking in first person after her return to Connecticut and Michael’s very verbose entries in the yacht’s log. The boat is an CSY 44 Walkover (the latter term referring to the cabin  layout below deck, not to the boat’s competitive abilities), renamed the Juliet. Definitely too much boat for a couple, especially when one of them doesn’t know how to sail.


For a reader who knows something about sailing boats, the narrative is often disconcerting, especially as the reader for Juliet couldn’t pronounce mainsail, leeward, or Caribbean, and kept referring to the masthead windspeed indicator as the flywheel. Besides his crude political views, Michael’s vocabulary is too often that of a middle-school boy. He refers to being self-absorbed as “being wrapped in my own shit” and small talk as “shooting the shit” (gross!).


The descriptions of sailing and handling the boat were also unconvincing, especially when they run into heavy weather and Juliet is supposed to be reefing the mainsail and helming the boat by herself. But I felt the author made a serious effort to research her subject and introduce realistic detail even if she doesn’t always get their names quite right. But though we know from almost the beginning that the trip will not end entirely well, readers should remain rivetted to discovering the outcome. And I found it surprisingly stirring.


There is an easy test to find out if you have the mentality of offshore sailing in the deep ocean. Download the movie Adrift and watch it at home. That is what Michael should have done. After you’ve watched it, ask yourself if you knew that your passage might turn out like that, would you go?  Then, ask yourself, if you can foresee that it definitely will turn out like that, then would you still go? The voyage of the Juliet is not quite so eventful, but at the end I was persuaded the Juliet had underwent a sea change into a real sailor.

Review of Invisible Girl, by Lisa Jewell


Lisa Jewell’s novels follow the property developer’s mantra – Location, Location, Location. For Invisible Girl it is one of my favourite neighbourhoods in London, Hampstead, near Belsize Park, where some three decades ago I had the good fortune to be spending spring break visiting a friend. Most appropriately, she was sharing a flat with a psychoanalyst. Alternating sections are told by Cate, mother of two teenagers and wife of Roan Fours, a 50ish child psychologist; Owen Pick, a 30 something college lecturer who has never had a date, who lives opposite the Fours family; and Saffyre Maddox, a mixed-race fifteen-year-old who had been treated by Roan for self-harm. The first two characters’ stories are told in free indirect third person; Saffyre speaks in first person. The differing POVs confuse the reader because Saffyre is on a different timeline, with about a six-week lag.

Saffyfre seems fixated on her former therapist and shadows (stalks would be to strong) Roan, convinced he is having an affair with one of his colleagues, a younger woman named Alicia. Saffyre has taken to sleeping rough in the derelict garden outside the house where Owen lives. She befriends Josh Fours, as well as an urban fox. And on Valentine’s night, she is reported missing and the principal suspect is Owen Pick. He has just been sacked from the college for getting drunk at an end of term disco where he is supposed to have: ‘Splattered the girls with the sweat from [his] forehead. They all attest that it was a deliberate action and that you did it more than once when asked by the girls to stop.’ (We are not told how Owen was supposed to have done it – I can’t imagine.)

Worse, Owen found his way to an ‘Incel’ site online. This group actually exists and has been responsible for multiple murders. The term is supposed to mean ‘involuntarily celibate’ (they mean ‘abstinent’ but few people these days know that ‘celibate’ means ‘unmarried’ – Latin coelbs is a bachelor). In the old days I couldn’t imagine men who would advertise their lack of amatory success online, much less want to murder women they blame for this condition. Why don’t they seek professional assistance instead? Not only does Owen post some ‘rants’ online; he meets a shifty character named Bryn who gives him ‘roofies’ which Owen hides in the usual place, the back of the sock drawer. When Saffyre is reported missing and what is supposed to be blood found on the outer wall of the house Owen lives in, along with her mobile phone cover in the garden. Owen is arrested and charged with abducting Saffyre.

Whilst Owen is in jail being interrogated relentlessly by detectives, Saffyre (on an earlier timeline) befriends Roan’s son Josh and enlists him in a quest to find an attempted rapist who seems to be preying on girls in the area, and whom she thinks may be the same person who molested her sexually when she was ten. Meanwhile Cate vacillates between suspecting Roan and apparently being convinced her suspicions are unfounded. So, we have three questions Lisa Jewell has posed for us. Who is the mysterious person attacking women? What is going on with Cate and Roan’s marriage? And what happened to Saffyre and is Owen responsible?

As we expect of Lisa Jewell, the denouement answers all these questions neatly, tying the different plot lines into a tidy package containing a satisfying conclusion. But I must confess a major reservation. Most of us keen readers, and sometimes writers ourselves, of crime fiction think we are criminal law experts. I am very often appalled in novels at how often characters are arrested on the flimsiest of grounds, and such is the case with Own’s being arrested and charged with abducting (and presumably murdering) Saffyre. Though she’s missing from her uncle’s home, the police have no evidence of a crime. Though they tell Own it was her blood on the wall, we are told nothing about DNA evidence and as I believe results in Britain can take weeks, what grounds did they have for arresting Owen? His solicitor very remiss on that, as well as with other ‘evidence’ that proves nothing. I began to wonder if the police are reading my reviews. With Then She Was Gone I criticised the cops for being extraordinarily lax in their search for Ellie; they seem to have learned their lesson and this time they descend on Owen like the chorus of Furies in Aeschylus.

But despite some scepticism with the police procedures, I found Invisible Girl a most engaging combination of setting, characterisation, and plot that readers of Lisa Jewell will enjoy.

Review of This House of Brede, by Rumer Godden


This was the perfect read for self-isolating, a story of women monastics. I felt so deeply immersed in Benedictine spirituality that when I looked out my front window I almost expected to see a cloister. If prayer were an Olympic event, the nuns at Brede would be gold medalists. Seven times a day, from Vigils at 4 am to Comline at 8.30 pm they chant the daily office in Latin, praying for their community, for the world, and for people outside who have asked their intercessions. Though they would appear cut off from the world, they are continually involved. The monetary is a kind of spiritual power station, generating praise, thanksgiving, and intercessions for those in need.

The story begins in the mid 1950s and the main character is Philippa Talbot, a forty year old senior civil servant, apparently in something like the Treasury. Her husband died in a Japanese prisoner of war camp, and we discover much later that she is also a bereaved mother. At mid life she discovers a vocation to join a cloistered order of nuns. In the book we follow her career from postulant to taking her final vows, which bestows on her the title of Dame Philippa. The standard of obedience and humility, as well as the primitive washing facilities, would frighten most contemporary readers away. As the Abbess reminds them, they endeavour to live like the poor, and fifty percent of English families then didn’t have bathrooms.

The nuns regard themselves as ‘Brides of Christ’ and the ceremony of being accepted by the order, called ‘Clothing’ involves an actual wedding ceremony with a bridal gown, much to the chagrin of the rejected fiancé and the mother of one of the characters. As C. S.Lewis remarked of Spenser’s allegory, it wasn’t that Spenser was Catholic, it’s that the Catholic Church is allegorical. Some of the trapping, like the grills that separate the nuns from visitors, do rouse in me some Protestant misgivings. Yet I admired them greatly.

Still, after I finished I felt some artistic flaws. It seemed a little too convenient that Philippa had lived in Japan and spoke Japanese, and we’re not told when or how she got there . And the gripping story of the death of her young son, which she finally tells the Abbess, surely would not have been concealed so long. It would have formed a major element of the process of discerning her vocation. An episode containing a crush between two members of the order was handled well, and generally Abbess Catherine was a wonderful portrait of a spiritually and practically wise woman.

Now, some seventy years later, this species of spirituality is yet rarer. I notice that the monastery that served as the model for Brede is now a luxury hotel and a venue for wedding parties – how ironic. And as an Anglican, I thought that the Abbess ought to be ordained and preside at the eucharist. They certainly were expert liturgists and Dom Gervase, their chaplain, rather a wimp. Vatican II is a crucial event in the book for the nuns, but when this book was published in 1969 I doubt many of us realised this form of spirituality would be almost extinct in half a century. But it always will be an ideal and a model for all of us who are following a spiritual path, whether in a cloister or out in the open world. Everybody works, everybody studies, everybody prays whether indoors or out.

Review of The Split, by Sharon Bolton


Sharon Bolton ranks with Elizabeth Haynes and Tana French as the best current writer of serious crime novels and The Split comes up to the mark. Here the author surpasses even her previous novel Little Black Lies for remote locations, setting parts at an Antarctic research station and abandoned whaling station on South Georgia Island. (Some of us will recall it from the Falklands War.) The other setting was more familiar, Cambridge at the very town centre opposite King’s College. Our principal character is a young glaciologist, Felicity Lloyd, who has been experiencing blackouts and bizarre episodes, and must consult Dr. Joe Grant, a psychiatrist, to be checked out and cleared to returned for two years of south polar research. Felicity reminded me of another of Sharon Bolton’s most attractive characters (with the same initials though in reverse order), DC Lacey Flint. Like Lacey, Felicity’s past is haunted by experiences of abuse and homelessness, and paranoid fear accompanying a personal collection of private demons, especially someone called Freddy. There is also killer in Cambridge preying on the homeless.

Like previous novels, here Sharon Bolton excels with vividly described settings (I felt I was back in Cambridge) and distinctively imagined characters, though I must confess Dr. Joe’s police officer mother struck me as a trifle OTT. I was surprised by the absence of Bolton’s characteristically fiendish plot twists. Of course there are red herrings and innocent characters who look as if they might be guilty, but before half-way it was obvious what was going on with Felicity. Normally I think it’s a flaw in a book if I suss it out too soon, but here I liked it that the author is playing fair with the reader, rather than having a minor character jump out of the wings to reveal a secret (as in Daisy in Chains).

The Split is a very quick read; I scarcely put it down. But I didn’t enjoy it as much as Sharon Bolton’s very best, Now You See Me. Found it more on the level with Dead Woman Walking. I fear as well that it will not repay perusing again. As I tried to get to sleep last night after finishing it, new questions kept bothering me. With her deprived background, just how did Felicity manage to graduate Cambridge with an advanced degree and become a scientist? How was she unaware of the details of her childhood trauma, which was a local sensation still recalled a quarter of a century later? And how did one of the characters have the physical fitness and skills (as well as lacking essential equipment, like even an ice axe) to tackle the glaciers of South Georgia? But ignoring the implausible, a very engaging read.

Though I’d award only 4 stars for execution and believability, setting and characters deserve 5.

Review of No Number Nine, by F. J. Campbell


Most North American call this game ‘field hockey’ and think hockey means ice hockey. Many have the equally provincial notion that it a ‘girl’s game’. But it is a game favouring team work and quick and accurate passing over running the pitch, and assists as much as shots on goal. And one reason I also prefer the women’s game is that they are better than men at relationships, with teams displaying a sense of sisterhood. But the exigencies of plot in No Number Nine require a focus on men’s hockey, specifically the German and Australian national teams at the 2000 Sydney Olympics. 

Philippa ‘Pip’ Mitchell is an eighteen-year old English girl who becomes an au pair looking after Max and Ferdi, the ten and eight year-old sons of a wealthy German family, the von Feldsteins. She is possessed of fluent German (and French – I was amused to discover that se taper has the same connotations as our word bang). Pip also possesses some heavy emotional baggage. Two years before, her sister Holly, a hockey player on the GBNWT, was killed by being struck on the head by a ball. (A hockey ball weighs about the same as a cricket ball or baseball – a goalkeeper kitted out in protective gear could easily be mistaken for a demolitions expert on a roadside in Iraq.) This loss has not on left Pip with a super case of PTSD, she also had sex with her sister’s widower husband, Troy Costa, a Kookaburra, the Australian MNT. (The women’s team are the Hockeyroos.) Pip hides her relationship (although she plans to fly out to Sydney for the Olympics at her own expense) and affects to despise the game of hockey, although she had been a very capable U-16 player. Which turns out to be a huge complication, because the von Feldsteins not only own a hockey club, but that Max and Ferdi have two twenty something elder brothers who are keen hockey players aspiring to playing in the Olympics on the German national men’s team. If you’ve watched a German national team play, the elder brother Leo will be no surprise – totally disciplined and keen on angles and sports psychology. His brother Billy lives and plays more like an Argentinian, all flair and gusto. (When Pip first discovers him, he’s in bed with Leo’s then girlfriend.)

I loved this book. It’s excellent  and very erotic, including what I call the ‘erotics of competition’ – the thrill of playing a sport to the very maximum. Which another marvellous facet of hockey – sheer athleticism – the players run virtually nonstop whilst on the pitch. The clock only stops for penalty corners. I was disappointed with some of Campbell’s descriptions of play as perfunctory. ‘Australia scored an unstoppable field goal from a volley after twenty-two minutes, to which Germany responded with a goal from a penalty corner five minutes later.’ That’s an opportunity for exciting sports writing too good to miss. A penalty corner is about the only time the clock stops for the kind of set play you find in American football, with lots of opportunity for deception and usually a fearless first flyer defender rushing from the cage to prevent the offence getting a shot off. But I liked this score with Pip watching on television: ‘Billy dived in front of the goal. Pip’s heart hammering, he slid along the AstroTurf, Pip’s eyes glued to the screen, he stretched out his stick, Pip’s mouth opening in a scream, he gave the ball the lightest of touches to send it into the back of the goal.’ Last year in the FIH Pro League I watched the New Zealand striker Olivia Merry execute the same shot against USA. Brilliant.

The characters lacked some believability for me too. I could not understand why Pip would want to follow Troy out to Australia only to break up with him, except the plot required it. He has other plans, and his inept proposal scene is the funniest thing outside of a Jane Austen novel. And it takes Campbell forever finally to resolve the relationship between Leo and Pip. As a crazy romantic, I would have set on it a boat in Sydney harbour during a fireworks display to mark the close of the games.

I so hope F. J. Campbell will write some more hockey fiction. I’d love a slightly older protagonist, perhaps one who had played for an American uni (there were several on last year’s England U-21 team), who’s now graduated and playing for a club like Surbiton. And with both an American and British boyfriend, perhaps. You can see the possibilities.

Review of The Furies, by Katie Lowe


I chose this book because the plot and situation are similar to one of my very favorites: Donna Tartt’s The Secret History. In both there is a school or college setting in which an outsider is drawn into a select society of friends led by a charismatic teacher.  In both they fall under the influence of the Greek tragedian Euripides: the Bacchae in Tartt, Medea here. And in both to cover up the crimes they commit under the influence of dark divinities, they have to commit murder to keep their secrets. The school here is Elm-Grove Academy. Our narrator Violet is a new girl who is taking under the wing of her new friend Robin and meets her friends, Nicky, Alex and Grace. She is initiated into their secret society led by Anabel, one of the teachers. The society has been in existence since the seventeenth-century, with membership handed down from mother to daughter, employing occult means to punish men for their crimes against women. As it turns out, the girls themselves become some of the victims.


I knew something had gone wrong when I reached the third page and read: “Their lives ended and mom’s life stopped.” Wait a moment! Do English girls usually refer to their female parent as “mom”? Fortunately my copy of the English edition reached me a couple of days later so I could check the original and sure enough, someone had systematically, if carelessly, Americanized the text, turning “mum” into “mom” as well as “petrol” into “gasoline”; but these changes are not only unsystematic because sometimes the original contains Americanisms( “elevator” and “lift” both occur). One attempt by a cack-handed revisor I found hilarious. The girls have killed the Dean of the school (he’s no loss—refers to graduates of a girls’ school as “alumni”):

English edition: “I saw my chance. ‘I think I saw a petrol can in the garage.’

“’No way,’ Alex said. ‘If they find petrol on anything, it won’t look like an accident …’”

American version: “I saw my chance. ‘I think I saw a petrol can in the garage.’

“‘No way,’ Alex said, ‘If they find gasoline on anything, it won’t look like an accident …’”

No indeed, the police will know an American killed the Dean, and our girls will be in the clear.

We also get “vacationing” for “holidaying,” “cotton candy” for “candy-floss,” and “sneakers” for “trainers.” The problem isn’t just that the American expressions look uncouth in situ, but that they completely violate the first rule of realistic fiction: that characters remain believable and in character. It also shows the author believes that her readers across the pond are provincial boors.

Unlike The Secret History, where I thought I had a good idea of the author’s meaning, I cannot decide here what my take should be. Perhaps as a male reader, I’m not allowed an opinion. From the plot, I gather a tragic version of the sorcerer’s apprentice story, which also fits very well with Euripides’ Medea, as well is both pagan and Christian moral principles. Anger or Ira is one of the seven deadly sins, and when unleashed ultimately destroys the innocent, such as Medea’s children. (I had some real doubts about the author’s knowledge of the Classics when I read: “She [Medea] was the only survivor, walking from Athens wearing the blood of her children.” No, she killed the children at Corinth and she didn’t walk, she flew, in a chariot drawn by dragons to Athens.) But given the feminist beliefs that underlie this story, I suspect we’re supposed to sympathize with Violet at the end. Fortunately we are dealing with a character in a  story-book.

Fortunately, American readers who want to read the authentic version don’t have to buy the dumb-downed US version. Given the difference in prices and exchange rates, you can buy the correct English version from and pay the postage and still save on the American hardback, and have an English narrator speaking real English.